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"It’s not where you take things from-- it’s where you take them to."
~ Jean-Luc Godard

“What you give, you give to yourself. What you do not give, you lose.”
~ Alexander Jordorwosky

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http://rndrd.com/filter/diagramRNDRD is a frequently updated feed of high-quality images frompublished architectural projects of the 20th century. RNDRD does notpublish photographs of completed work, only renderings: hand-drawing,collage, models and graphics of all sorts. RNDRD uses out-of-printacademic and trade journals as its source of images, culling the moststriking renderings from thousands of pages of print that will not beavailable online. RNDRD aims to provide a clearer image of theevolution of architectural rendering, from turn-of-the-centurybeaux-arts drawings and 60s collage to the emergence of computergraphics and renderings in the 1980s. As the internet increasinglybecomes the main source for architects to engage with precedence inarchitectural rendering, RDNRD hope to provide a broader array ofimages and methods of image-making, simply by trudging through thedusty bookshelves of now un-read and un-referenced work.  View high resolution

http://rndrd.com/filter/diagram

RNDRD is a frequently updated feed of high-quality images from
published architectural projects of the 20th century. RNDRD does not
publish photographs of completed work, only renderings: hand-drawing,
collage, models and graphics of all sorts. RNDRD uses out-of-print
academic and trade journals as its source of images, culling the most
striking renderings from thousands of pages of print that will not be
available online. RNDRD aims to provide a clearer image of the
evolution of architectural rendering, from turn-of-the-century
beaux-arts drawings and 60s collage to the emergence of computer
graphics and renderings in the 1980s. As the internet increasingly
becomes the main source for architects to engage with precedence in
architectural rendering, RDNRD hope to provide a broader array of
images and methods of image-making, simply by trudging through the
dusty bookshelves of now un-read and un-referenced work.
 

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