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Sources Of Inspiration

"It’s not where you take things from-- it’s where you take them to." ~ Jean-Luc Godard

“What you give, you give to yourself. What you do not give, you lose.” ~ Alexander Jordorwosky

Bout DOH

birdsong27:

Man Ray - Gertrude Stein and Alice B.Toklas at home on the Rue de Fleurus, 1921.
Large image

birdsong27:

Man Ray - Gertrude Stein and Alice B.Toklas at home on the Rue de Fleurus, 1921.

Large image

(via savoirr)

laflaneuse8:

Robert Rauschenberg, Quiet House, Black Mountain, ca. 1949

laflaneuse8:

Robert Rauschenberg, Quiet House, Black Mountain, ca. 1949

(via savoirr)

http://rndrd.com/filter/diagramRNDRD is a frequently updated feed of high-quality images frompublished architectural projects of the 20th century. RNDRD does notpublish photographs of completed work, only renderings: hand-drawing,collage, models and graphics of all sorts. RNDRD uses out-of-printacademic and trade journals as its source of images, culling the moststriking renderings from thousands of pages of print that will not beavailable online. RNDRD aims to provide a clearer image of theevolution of architectural rendering, from turn-of-the-centurybeaux-arts drawings and 60s collage to the emergence of computergraphics and renderings in the 1980s. As the internet increasinglybecomes the main source for architects to engage with precedence inarchitectural rendering, RDNRD hope to provide a broader array ofimages and methods of image-making, simply by trudging through thedusty bookshelves of now un-read and un-referenced work. 

http://rndrd.com/filter/diagram

RNDRD is a frequently updated feed of high-quality images from
published architectural projects of the 20th century. RNDRD does not
publish photographs of completed work, only renderings: hand-drawing,
collage, models and graphics of all sorts. RNDRD uses out-of-print
academic and trade journals as its source of images, culling the most
striking renderings from thousands of pages of print that will not be
available online. RNDRD aims to provide a clearer image of the
evolution of architectural rendering, from turn-of-the-century
beaux-arts drawings and 60s collage to the emergence of computer
graphics and renderings in the 1980s. As the internet increasingly
becomes the main source for architects to engage with precedence in
architectural rendering, RDNRD hope to provide a broader array of
images and methods of image-making, simply by trudging through the
dusty bookshelves of now un-read and un-referenced work.
 

Meredith Monk is a composer, singer, director/choreographer and creator of new opera, music theater works, films and installations. A pioneer in what is now called “extended vocal technique” and “interdisciplinary performance,” Monk creates works that thrive at the intersection of music and audiences and critics as a major creative force in the performing arts.


AWARDS

2012
Musical America’s 2012 Composer of the Year

2011
NPR’s 50 Great Voices
Yoko Ono Lennon Courage Award for the Arts

2010
American Music Center Letter of Distinction

2008
Premio Arlecchino d’Oro 2008, Mantova Festival, Italy

2007
Demetrio Stratos International Award for Musical Experimentation

2006
American Academy of Arts and Sciences Fellow
United States Artists Fellow

2005
ASCAP Concert Music Award

2002
Music Publishers’ Assocation 2002 Paul Revere Awards
Octavio Sheet Music 1st Prize
Honorary Doctorate of Fine Arts, Cornish School of the Arts

2001
Honorary Doctorate of Fine Arts, Boston Conservatory

1999
Honorary Doctorate of Fine Arts, San Fransisco Art Institute

1998
Honorary Doctorate of Fine Arts, The Juilliard School

1996
Samuel H. Scripps American Dance Festival Award
Sarah Lawrence College Distinguished Alumnae Award
New York Foundation for the Arts Fellowship Award in Choreography
MacDowell Colony Fellow

1995
John D. and Catherine T. MacArthur Fellowship Award

1991
The Conlon Nancarrow and Yoko Siguira Fellowship

1994
Norton Stevens Fellow

1993
MacDowell Colony Fellow

1992
Dance Magazine Award

1989
Doctorate of Fine Arts, University of the Arts, Philadelphia

1988
MacDowell Colony Fellow
Doctorate of Arts, Bard College

1987
Rockefeller Foundation Distinguished Choreographer Award
Sigma Iota Fellowship, MacDowell Colony

1986
National Music Theater Award
German Critics Prize for the Best Record of the Year for OUR LADY OF LATE: THE VANGUARD TAPES

1985
Bessie Award for Sustained Creative Achievement
New York Foundation for the Arts Fellowship Award in Music Composition
Obie Award for Sustained Achievement

1983
Villager Outstanding Composition Award for TURTLE DREAMS (WALTZ)
Grand Prize in Performance Video, Video Culture / Canada Festival-Toronto for TURTLE DREAMS
First Place for Performance Programing, Corporation for Public Broadcasting CTCA-TV for PARIS

1982: Guggenheim Fellowship
Creative Artists Program Service Award (CAPS)

1981
German Critics Prize for Best Record of the Year for DOLMEN MUSIC
CINE Golden Eagle for ELLIS ISLAND
Atlanta Film Festival Special Jury Prize for ELLIS ISLAND

1980
New York Dance Film Festival Merit Award for 16MM Earrings

1977
Creative Artist Program Service Award (CAPS)

1976
Obie Award for Oustanding Production for QUARRY

1975
Venice Biennale First Prize for EDUCATION OF THE GIRLCHILD

1974
Brandeis Creative Arts Award

1972
Guggenheim Fellowship

1971
Obie Award for Oustanding Production for VESSEL


When we began working on the new identity of the Bauhaus Dessau Foundation we decided to search for a solution that would relate more to the original ideas of Germany’s most influential Modernist school instead of relying on the visual clichés connected to Bauhaus - it seems almost impossible to use circle, square and triangle nowadays without it coming across as ironic or historicist. Apart from stationery, brochures, posters, tickets, website etc. the new identity also included the redesign of the signage of Gropius’ famous Bauhaus building. This factor making it even more important that a clear distinction could be made by visitors what was apart of the original structure and what new additions we had made.

We thought a generic design would work best in order to make this distinction. The new identity was created by using strict typography, a minimalist layout, standardised formats and no colour. Being the most generic and incidental typeface, Courier was selected as the new corporate font. To guarantee a unique identity we changed the capital “A” of Courier according to Herbert Bayer’s well-known logo on the front of the Bauhaus Dessau building. Additionally, the new Bauhaus Dessau logotype is always set vertically. The entire typographic system consists exclusively of common system fonts, an approach connected to the original Bauhaus ideology that demanded functionality and designs based on the potential of mass-production. 

When we began working on the new identity of the Bauhaus Dessau Foundation we decided to search for a solution that would relate more to the original ideas of Germany’s most influential Modernist school instead of relying on the visual clichés connected to Bauhaus - it seems almost impossible to use circle, square and triangle nowadays without it coming across as ironic or historicist. Apart from stationery, brochures, posters, tickets, website etc. the new identity also included the redesign of the signage of Gropius’ famous Bauhaus building. This factor making it even more important that a clear distinction could be made by visitors what was apart of the original structure and what new additions we had made.



We thought a generic design would work best in order to make this distinction. The new identity was created by using strict typography, a minimalist layout, standardised formats and no colour. Being the most generic and incidental typeface, Courier was selected as the new corporate font. To guarantee a unique identity we changed the capital “A” of Courier according to Herbert Bayer’s well-known logo on the front of the Bauhaus Dessau building. Additionally, the new Bauhaus Dessau logotype is always set vertically. The entire typographic system consists exclusively of common system fonts, an approach connected to the original Bauhaus ideology that demanded functionality and designs based on the potential of mass-production. 


(via architectura)

whataboutbobbed:

Colleen Moore is a shock tart in 1925’s We Moderns

whataboutbobbed:

Colleen Moore is a shock tart in 1925’s We Moderns

(via thewidowflannigan)

 
Björk was born and raised in Reykjavík, Iceland. Her father is Guðmundur Gunnarsson, a union leader and electrician, and her mother is Hildur Rúna Hauksdóttir, an activist who protested againstKárahnjúkar, a controversial hydro-electric development in Iceland.[9]
Her musical career began when she was eleven with her study of classical piano in elementary school. One of her instructors sent a recording of Björk singing Tina Charles’ song “I Love to Love” to RÚV, then the only radio station in Iceland. The recording was broadcast on radio nationally; after hearing it, a representative of the record label Fálkinn contacted Björk to offer a record contract. An album,Björk, was recorded and released in 1977.

via wikipedia

Björk was born and raised in ReykjavíkIceland. Her father is Guðmundur Gunnarsson, a union leader and electrician, and her mother is Hildur Rúna Hauksdóttir, an activist who protested againstKárahnjúkar, a controversial hydro-electric development in Iceland.[9]

Her musical career began when she was eleven with her study of classical piano in elementary school. One of her instructors sent a recording of Björk singing Tina Charles’ song “I Love to Love” to RÚV, then the only radio station in Iceland. The recording was broadcast on radio nationally; after hearing it, a representative of the record label Fálkinn contacted Björk to offer a record contract. An album,Björk, was recorded and released in 1977.

via wikipedia

pure and palpable pulse 

Etta James was born Jamesetta Hawkins in Los Angeles to a teen mother and unknown father. Her birth mother initially took little responsibility and James was raised by a series of people, notably a pair of boardinghouse owners. But she was recognized from a young age for her booming voice, showcased in a South Central Los Angeles church.

The powerhouse singer, known as “Miss Peaches,” lived an eventful life. She first hit the charts as a teenager, taking “The Wallflower (Roll With Me, Henry)” — an “answer record” to Hank Ballard’s “Work With Me, Annie” — to No. 1 on the R&B charts in 1955. She joined Chess Records in 1960 and had a string of R&B and pop hits, many with lush string arrangements. After a mid-decade fade, she re-emerged in 1967 with a more hard-edged, soulful sound.
Throughout her career, James overcame a heroin addiction, opened for the Rolling Stones, won six Grammys and was voted into the Rock and Roll Hall of Fame. Despite her ups and downs — including a number of health problems — she maintained an optimistic attitude.
http://www.cnn.com/2012/01/20/showbiz/etta-james-obit/?hpt=hp_t1

Etta James was born Jamesetta Hawkins in Los Angeles to a teen mother and unknown father. Her birth mother initially took little responsibility and James was raised by a series of people, notably a pair of boardinghouse owners. But she was recognized from a young age for her booming voice, showcased in a South Central Los Angeles church.


The powerhouse singer, known as “Miss Peaches,” lived an eventful life. She first hit the charts as a teenager, taking “The Wallflower (Roll With Me, Henry)” — an “answer record” to Hank Ballard’s “Work With Me, Annie” — to No. 1 on the R&B charts in 1955. She joined Chess Records in 1960 and had a string of R&B and pop hits, many with lush string arrangements. After a mid-decade fade, she re-emerged in 1967 with a more hard-edged, soulful sound.

Throughout her career, James overcame a heroin addiction, opened for the Rolling Stones, won six Grammys and was voted into the Rock and Roll Hall of Fame. Despite her ups and downs — including a number of health problems — she maintained an optimistic attitude.

http://www.cnn.com/2012/01/20/showbiz/etta-james-obit/?hpt=hp_t1

(Source: michaelhbf, via hazeltwotwiggs)

This is how the eclipse of the sun looked to early-rising New Yorkers in 1954 by Arthur Sasse

firsttimeuser:

This is how the eclipse of the sun looked to early-rising New Yorkers in 1954 by Arthur Sasse

firsttimeuser:

(via hotsonfornowhere)

For Pina on 9/4/09

Pina was more interested
in the private, playful, revelatory and unconscious aspects
of movement and gesture,
in the child sleeping in all of us
that is capable of expressing itself quite eloquently,
provided you understand its language.

That’s what Pina could see better than anyone.
What Sigmund Freud could interpret in a person’s dreams,
Pina could read in their bearing or posture,
in how they throw their hair back or move their arms.

Wim Wenders on September 4, 2009

at the memorial ceremony for Pina Bausch in the Wuppertal Opera House.


ideal space

ideal space

(via architectura)

es me and you: Esme's Mixes

esmeandyou:

Esme’s Favorite Rock n’ Roll Songs of 2009 

1. Golden Boys “Plainsmen Lament”
2. Girls “Lust for Life”
3. The Fresh & Onlys “Peacock and Wing”
4. King Tuff “Lady”
5. Fergus & Geronimo “Tell It (In My Ear)”
6. Bare Wires “Are You Talking Her Home?”
7. Charles Leo Gebhart IV “Look Out Look In”
8. Jail “We’ve Won”
9. Nodzzz “Good Times Crowd”
10. Box Elders “Hole in My Head”
11. Yusaf Jerusalem “We Ain’t Coming Back”
12. The Oh Sees “I Can’t Get No”
13. The Intelligence (no song title)
14. Hunx & His Punx “U Don’t Like Rock n’ Roll”
15. The Soft Pack “Extinction”
16. The Coathangers “Shake Shake”
17. The Strange Boys “No Way For a Slave to Behave”

Esme’s 2009 Soundtrack
Esme’s year in song

1. The Zombies “This Will Be Our Year”
2. Devandra Banhart “Carmensita”
3. The Sonics “Have Love Will Travel”
4. The Stone Roses “I Wanna Be Adored”
5. Bruce Springsteen “Born to Run”
6. The Nerves “When You Find Out”
7. The Hold Steady “Constructive Summer”
8. Dwight Twilley “Looking for the Magic”
9. Nobunny “Somewhere New”
10. Supergrass “Alright”
11. Harlem “Caroline”
12. Lou Reed “Wagon Wheel”
13. The English Beat “Save it for Later”
14. The Chills “Heavenly Pop Hit”
15. Arthur Russel “Love is Overtaking Me”
16. Cheap Trick “Southern Girls”
17. The Ramones “Questioningly”
18. Os Mutantes “Baby”
19. Dean & Britta “Ginger Snaps”
20. The Shins “Gone for Good”
21. Tall Dwarfs “Nothings Gonna Happen”
22. Saturday Looks Good to Me “This Time Every Year”
23. INXS “Don’t Change”

More 2009 Gems
compiled by Esme B. December 2009

1. Follow that Bird! “I Want You to Know”
2. Death “Where Do We Go From Here???”
3. Obits “Run”
4. Yussef Jerusalem “With You in Mind”
5. Landlord “Not Fair”
6. The Vaselines “Teenage Superstars”
7. Yellow Fever “Joe Brown”
8. The Feelies “Everybody’s Got Something to Hide”
9. Phoenix “Lisztomania”
10. Yo La Tengo “If It’s True”
11. Camera Obscura “Honey In the Sun”
12. Emitt Rhodes “With My Face on the Floor”
13. Real Estate “Beach Comber”
14. Brown Recluse “Rainy Saturday”
15. Jim James “Long, Long, Long”
16. Black Mamba “Autumn People”
17. Brill Callahan “The Breeze/My Baby Cries”
18. My Maudlin Career

Source: Michelle Conroy